1 thought on “Shanghai Lao Fengxiang introduced the golden market trend chart of the paper?”
Cassandra
In 1848 (28 years of Qing Daoguang), Fei Ruming opened the old Fengxiang Yinlou in the old city of Shanghai, and Lao Fengxiang was born. "Fengxiang" means that women's perfection is beautiful, but it also means that it can bring auspiciousness to those wearing jewelry. In some aspects, the spirit and cultural heritage of "golden phoenix", which is tough and eternal, beautiful and auspicious, and the pursuit of excellence, can there be Lao Fengxiang's "golden signboard" today. In 1848, the Opium War broke out, and in the era of turmoil, Eastern and Western culture and art also blended. At that time, "Fengxiang Silver Tower" was selling gold jewelry such as golden crickets, inlaid jade, necklaces, and buckle flowers. It was sufficient, new in style, well -carved, and the business was very good. Big. Western culture gradually entered China during the Republic of China, although most of the jewelry was the style of the late Qing Dynasty, but there were many remarkable points in design and craftsmanship. Around 1930, Lao Fengxiang's "style peony" and "鸳 在 在 在" were popular in the celebrity circle at the time. More than 10 styles such as single gold necklaces, flat chains, hinge sticks, bamboo chains, and wishful chains show the excellent, graceful and luxurious "neo -classical" style. During the end of the Anti -Japanese War to the end of the Cultural Revolution, the entire gold and silver product market has gone through storms, and Lao Fengxiang has also been tested, and has stopped domestic sales of jewelry. But at this time, Lao Fengxiang began his legend. Like the difficult task of gilt gold in Sino -Soviet Friendship Tower, Pentagon, and Corner Pavilion in 1954. In 1959, a large -scale golden five -star sunflower top lamp and silver tableware were made to the Beijing Great Hall of the People. By 1979, Lao Fengxiang's export volume was 4.19 million yuan, and the products were sold to Hong Kong, Macao, Southeast Asia, Eastern Europe and Western Europe. The decoration is mainly based on the traditional design theme, such as "Kirin Sending Child", "Small Knife Club", large peacock peony and so on. Its "sea faction" is fully expressed -flowers, birds, characters, and landscapes are the tone, the structure is simple and clear, and the connotation is full. The shape and color are gorgeous. Due to the influence of the Western expression, the lines are smooth, the color is magnificent, and it has a strong visual tension. In fact, ornaments and jewelry do not violate each other, like Cartier, like Swarovski. In the forty years of hardships, Lao Fengxiang has been impeccable in creative design and processing technology. Until 1983, the domestic gold jewelry again, Lao Fengxiang's jewelry combined his unique interpretation of Eastern and Western art, showing a unique modern temperament with the public. The gorgeous and atmospheric old Fengxiang jewelry has long been washed away the camouflage's secular appearance and is a fashion leader in China's jewelry trend. For the increasingly open domestic jewelry market and young people with full personality, Lao Fengxiang established the "Shanghai Lao Fengxiang Famous Teacher Design Center" led by Zhang Xinyi and Zhang Jingyang, which was established to gather luxury, art, romance, and elegant wedding wedding celebrations The series, K gold series, yellow platinum series, and color gem series, hundreds of new products are released each year, making the product update rate of more than 30 %. Only by constantly feeling inspiration from multiculturalism can we get real new life. Lao Fengxiang, who has a long history, can still feel the texture of time on each of its jewelry. Its road to success is irreplaceable, and it has its own unique connotation and extension. In the time and change of time, Lao Fengxiang's unique extraordinary taste and wisdom can be achieved.
In 1848 (28 years of Qing Daoguang), Fei Ruming opened the old Fengxiang Yinlou in the old city of Shanghai, and Lao Fengxiang was born. "Fengxiang" means that women's perfection is beautiful, but it also means that it can bring auspiciousness to those wearing jewelry. In some aspects, the spirit and cultural heritage of "golden phoenix", which is tough and eternal, beautiful and auspicious, and the pursuit of excellence, can there be Lao Fengxiang's "golden signboard" today. In 1848, the Opium War broke out, and in the era of turmoil, Eastern and Western culture and art also blended. At that time, "Fengxiang Silver Tower" was selling gold jewelry such as golden crickets, inlaid jade, necklaces, and buckle flowers. It was sufficient, new in style, well -carved, and the business was very good. Big. Western culture gradually entered China during the Republic of China, although most of the jewelry was the style of the late Qing Dynasty, but there were many remarkable points in design and craftsmanship. Around 1930, Lao Fengxiang's "style peony" and "鸳 在 在 在" were popular in the celebrity circle at the time. More than 10 styles such as single gold necklaces, flat chains, hinge sticks, bamboo chains, and wishful chains show the excellent, graceful and luxurious "neo -classical" style. During the end of the Anti -Japanese War to the end of the Cultural Revolution, the entire gold and silver product market has gone through storms, and Lao Fengxiang has also been tested, and has stopped domestic sales of jewelry. But at this time, Lao Fengxiang began his legend. Like the difficult task of gilt gold in Sino -Soviet Friendship Tower, Pentagon, and Corner Pavilion in 1954. In 1959, a large -scale golden five -star sunflower top lamp and silver tableware were made to the Beijing Great Hall of the People. By 1979, Lao Fengxiang's export volume was 4.19 million yuan, and the products were sold to Hong Kong, Macao, Southeast Asia, Eastern Europe and Western Europe. The decoration is mainly based on the traditional design theme, such as "Kirin Sending Child", "Small Knife Club", large peacock peony and so on. Its "sea faction" is fully expressed -flowers, birds, characters, and landscapes are the tone, the structure is simple and clear, and the connotation is full. The shape and color are gorgeous. Due to the influence of the Western expression, the lines are smooth, the color is magnificent, and it has a strong visual tension. In fact, ornaments and jewelry do not violate each other, like Cartier, like Swarovski. In the forty years of hardships, Lao Fengxiang has been impeccable in creative design and processing technology. Until 1983, the domestic gold jewelry again, Lao Fengxiang's jewelry combined his unique interpretation of Eastern and Western art, showing a unique modern temperament with the public. The gorgeous and atmospheric old Fengxiang jewelry has long been washed away the camouflage's secular appearance and is a fashion leader in China's jewelry trend. For the increasingly open domestic jewelry market and young people with full personality, Lao Fengxiang established the "Shanghai Lao Fengxiang Famous Teacher Design Center" led by Zhang Xinyi and Zhang Jingyang, which was established to gather luxury, art, romance, and elegant wedding wedding celebrations The series, K gold series, yellow platinum series, and color gem series, hundreds of new products are released each year, making the product update rate of more than 30 %. Only by constantly feeling inspiration from multiculturalism can we get real new life. Lao Fengxiang, who has a long history, can still feel the texture of time on each of its jewelry. Its road to success is irreplaceable, and it has its own unique connotation and extension. In the time and change of time, Lao Fengxiang's unique extraordinary taste and wisdom can be achieved.